![]() ![]() ![]() “Above all else, size matters,” he insists. According to Tavaglione - producer, engineer, musician, and owner of Catalyst Recording, Charlotte, North Carolina’s de facto indie music laboratory - drummers should carefully consider the size of their chosen studio kick. Preceding any clever microphone techniques or studio trickery, a killer bass drum sound begins with a truly killer bass drum. ![]() I always say that every aspect of a band is important, but the sound of the drums and the vocals are most crucial.” It helps to have a decent tone and something that is full enough to provide punch. “That’s what is really up there, and the sound of the kick is very important. “On a record, the kick and snare are heard more than anything else,” explains Webb, a producer, engineer, and owner of Orange County, California’s Maple Studio, who has worked with artists such as Mötörhead, Limp Bizkit, Bleed The Dream, and Social Distortion. ![]() These tips, generously shared by prolific audio pros Rob Tavaglione, Cameron Webb, Russ-T Cobb, Mike Plotnikoff, and Mark Trombino, may not be an exact blueprint for building each drummer’s ideal kick sound, but they are certainly a starting point, serving as a guide around the many pitfalls of what can be a laborious recording task. There may not be hard and fast rules for effectively capturing the natural sound of a kick drum but there are plenty of well-worn guidelines worth following. ![]()
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